sábado, noviembre 14, 2009
CANABALT , el diablo encontró un pasatiempo para ti!
http://games.ign.com/articles/103/1039762p1.html
subanlo y Chau!!!
(mas liviana es la version chica, por mouse, en www.canabalt.com ).
subanlo y Chau!!!
(mas liviana es la version chica, por mouse, en www.canabalt.com ).
jueves, noviembre 12, 2009
miércoles, noviembre 11, 2009
David Bowie - Hello Spaceboy (Excellent quality)
Outside fue la grande vuelta a la calidad inventiva de Bowie.
De ahí este tema.
martes, noviembre 10, 2009
Early Tiswas opening titles (1975)
Tiswas
era el mejor programa para niños de la historia!
Irreverente y anarquico (como los niños), era un lugar donde quien mandaba era el niño, tomandole el pelo a la sociedad, los famosos y los adultos. Genial!
Pasa que la mayora de los televidentes eran adultos,fumónes, y NO niños.
Luca y yo lo mirabamos asiduamente.
NODDY - Noddy e os Mufins desaparecidos
Los animadores se tomaron una 'libertad poética' (bah... política!) en un brevísimo instante de este inocuo cartoon Británico, acá traducido al Portugués. Vean lo que hay en el gorro de policia al 2¨15
Upa!
domingo, noviembre 08, 2009
En opinión del escritor William Somerset Maugham: "To eat well in England, you should have breakfast three times a day."
sábado, noviembre 07, 2009
The Ninth Configuration ! (William Peter Blatty)




The Ninth Configuration, (also known as Twinkle, Twinkle, "Killer" Kane) is an American-made film, released in 1980, directed by William Peter Blatty (most famous as the author of The Exorcist). It is often considered a cult film and it won the Best Screenplay award at the 1981 Golden Globes. The film is based on Blatty's novel, The Ninth Configuration (1978) which was itself a reworking of an earlier version of the novel, first published in 1966 as Twinkle, Twinkle, "Killer" Kane!. The initial 1966 publication of the novel featured an exclamation mark at the end of the title, while all subsequent publications saw it removed.
The first half of the film has the predominant tone and style of a comic farce. In the second half, the film becomes darker as it delves deeper into its central issues of human suffering, sacrifice and faith. The film also frequently blurs the line between the sane and the insane.
Synopsis
Colonel Kane (Stacy Keach), a Marine psychiatrist suffering from nightmares, arrives at a castle in the American Pacific Northwest where shell-shocked and insane soldiers from the Vietnam war are being treated. The castle's staff has been unable to control the patients, many of whom are suspected of faking their illness to get out of combat. The permissive Kane opens himself up to listen to anything the soldiers have to say to him in an effort to heal them, while at the same time suffering from his own demons.
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