Strauss
Kubrick
and...
THEM!
Tengo el 'rarisimo' disco, pero ahora ustedes tienen al VIDEO!
martes, marzo 30, 2010
The Temple City Kazoo Orchestra - Sprach Kazoostra
Bill Fay - Planet earth daytime
Entre Procul Harum y Gilbert O'Sullivan
pero,
mas se conoce, mejor es...
lunes, marzo 29, 2010
domingo, marzo 28, 2010
CAROSELLO carne montana -gringo- 1966
mitica serie de 'spots' publicitarios Italianos de mi infancia.
Paice Ashton Lord - Malice in Wonderland (1976)
cajita de buenos momentos... esto es el elixir de los recuerdos...
Paice Ashton Lord - Ghost Story - Live in London '77
solo otra memoria personal que voy a enterrar acáen mi BLOG.
"Four Holes In The Ground" - PFM Live at BBC in Concert 1975
Version "Ferrari" de 4 holes in the ground de los grandes PFM
da miedo.
Premiata Forneria Marconi - Is My Face On Straight
PFM entre las GRANDES bandas de los 70. Y Italiana!
Dexter Fishpaw
El Director de la Escuela llama a Francine Fishpaw para contarle que han expulsado a su hijo,Dexter, de la escuela. El muchacho tiene serios problemas, y un fetiche con los pies de las señoras...
una de mis escenas favoritas de esta ridicola y perfecta pelicula de John Waters, con Divine.
Jim Carrey - Instructor Karate (sub español)
El mejor representante de la locura reprimida (en salsa violenta) de EU
sábado, marzo 27, 2010
viernes, marzo 26, 2010
Fantastic Voyage - 1966 TV Spot
Quiero volver a verla!!! Además, es el nombre de uno de mis temas preferidos de David Bowie.
Joan Jett in the movie "LIght of Day" scene: Patty goes to get Benji from her Mom's
Gena Rowlands (mujer de John Casavetes) y Joan Jett
en
Light of Day
Joan Jett in the movie "Light of Day" scene: "Its all coming down tonight"
Una de las pocas pelis hechas bien y realisticamente sobre 'el rock'.
Michael Mackean (Spinal Tap), Joan Jett (The Runaways) y Michael J Fox.
Dir. Paul Schrader (guionista de Taxi Driver).
La musica es esta media poronga yankee m.o.r.
martes, marzo 23, 2010
lunes, marzo 22, 2010
Silver Apples- "You and I" (1969)
El pasado del futuro ya estaba escrito en el pasado.
INCREIBLES 'Silver Apples'.
MAGNET004 - Fly By Wire - Untitled - Alkaline 3dH
Fly By Wire es (en este caso) el nombre de la banda!
sábado, marzo 20, 2010
xtc-snowman live 1982 oxford road show
Luca los adoraba en vivo. ANTES del primer L.P. era un gran fan de XTC, pero su delusion en el sonido 'pop y prolijito' del disco lo hizo enojer, y dejo' de seguirlos.
Las miradas locas de Partridge recuerdan ciertas caras q hacia Luca en SUMO, o no?
XTC - Books Are Burning
Andy Partridge algo incomodo en este prog 'live' en TV, pero me sorprendio' su gran gusto y capacidad en los asolos de guitarra al final. Temazo!
jueves, marzo 18, 2010
miércoles, marzo 17, 2010
Que momento!
Before 'indie' became a meaningless brand, renegade filmmakers such as Alejandro Jodorowsky, John Waters, George A Romero and David Lynch lived and breathed true independent spirit.
These directors crawled out of the shadows with confrontational and deeply personal films which mainstream distributors didn't know what to do with. This nascent breed of cinema needed a fresh approach. Enter Ben Barenholtz. He owned a 600-seat cinema in downtown New York called The Elgin. At one o'clock in the morning on December 18 1970 The Elgin premiered an unknown film called El Topo by Chilean-born director Alejandro Jodorowsky. Barenholtz's idea was simple: scrap all formal advertising and rely on word of mouth promotion. His plan worked. Soon stoned hipsters were queuing round the block. And many of them were returning week after week. The 'midnight movie' was born.
Barenholtz's savvy formula spread like wildfire. Across the US cult films started screening in the midnight hour to packed houses of wild-eyed students, artists and insomniacs. Droves of degenerates came out to witness the shit-eating denouement of John Waters' infamous Pink Flamingos. They danced in the aisles to Perry Henzell's reggae-gangster film The Harder They Come . And they sat scratching their heads through David Lynch's mind-melter Eraserhead.
Without this fertile midnight slot these films and their directors would have disappeared without a trace. But it didn't just give undiscovered talent a much-needed arena. It also resurrected long-forgotten gems like Tod Browning's sideshow fable Freaks and Ed Wood's gender-bender Glen Or Glenda and even gave mainstream flops like The Rocky Horror Picture Show a second life.
These directors crawled out of the shadows with confrontational and deeply personal films which mainstream distributors didn't know what to do with. This nascent breed of cinema needed a fresh approach. Enter Ben Barenholtz. He owned a 600-seat cinema in downtown New York called The Elgin. At one o'clock in the morning on December 18 1970 The Elgin premiered an unknown film called El Topo by Chilean-born director Alejandro Jodorowsky. Barenholtz's idea was simple: scrap all formal advertising and rely on word of mouth promotion. His plan worked. Soon stoned hipsters were queuing round the block. And many of them were returning week after week. The 'midnight movie' was born.
Barenholtz's savvy formula spread like wildfire. Across the US cult films started screening in the midnight hour to packed houses of wild-eyed students, artists and insomniacs. Droves of degenerates came out to witness the shit-eating denouement of John Waters' infamous Pink Flamingos. They danced in the aisles to Perry Henzell's reggae-gangster film The Harder They Come . And they sat scratching their heads through David Lynch's mind-melter Eraserhead.
Without this fertile midnight slot these films and their directors would have disappeared without a trace. But it didn't just give undiscovered talent a much-needed arena. It also resurrected long-forgotten gems like Tod Browning's sideshow fable Freaks and Ed Wood's gender-bender Glen Or Glenda and even gave mainstream flops like The Rocky Horror Picture Show a second life.
Director Stuart Samuels brings his 1983 book 'Midnight Movies: From The Margin To The Mainstream' to vivid life in this film. His written account was a detailed firsthand despatch from the smoky aisles of midnight screenings and here, in front of the camera, he gathers all the scene's movers and shakers to discuss their personal contributions and relive the experience.
Jodorowsky still seems genuinely bemused by the popularity of El Topo: "There were a lot of people who came to see El Topo 30 times! It's incredible, no? Really incredible." Romero comes across as having lost none of the revolutionary chutzpah that drove him to make Night Of The Living Dead in 1968. Lynch is, well, Lynch, but it is interesting to hear him acknowledge John Waters' support of Eraserhead. And Waters himself proves a perceptive commentator. "Midnight movies were about marijuana."
Critics and distributors are called on to flesh out the story with wider-themed ideas about the social and political atmosphere of the time. Roger Ebert of the 'Chicago Sun-Times' explains that, "at some point in the 1960s people became cynical. Midnight movies were the opening wedge in the birth of irony."
The Boston distributor Larry Jackson describes the reaction of students to The Harder They Come as something "like catching lightning in a jar." The most succinct point, however, comes from an excitable audience member leaving a Pink Flamingos screening: "John Waters has his finger on the pulse of America. He has his thumb up America's ass!" And that, in a nutshell, is why midnight movies became the phenomenon they did.
Jodorowsky still seems genuinely bemused by the popularity of El Topo: "There were a lot of people who came to see El Topo 30 times! It's incredible, no? Really incredible." Romero comes across as having lost none of the revolutionary chutzpah that drove him to make Night Of The Living Dead in 1968. Lynch is, well, Lynch, but it is interesting to hear him acknowledge John Waters' support of Eraserhead. And Waters himself proves a perceptive commentator. "Midnight movies were about marijuana."
Critics and distributors are called on to flesh out the story with wider-themed ideas about the social and political atmosphere of the time. Roger Ebert of the 'Chicago Sun-Times' explains that, "at some point in the 1960s people became cynical. Midnight movies were the opening wedge in the birth of irony."
The Boston distributor Larry Jackson describes the reaction of students to The Harder They Come as something "like catching lightning in a jar." The most succinct point, however, comes from an excitable audience member leaving a Pink Flamingos screening: "John Waters has his finger on the pulse of America. He has his thumb up America's ass!" And that, in a nutshell, is why midnight movies became the phenomenon they did.
Samuels' film successfully charts the midnight trend: from its shabby make-do origins to its full-blown counter-cultural heyday. It also documents its demise. The definition of mainstream shifted and Hollywood absorbed the midnight movie ethos: Jaws was a commercial reinvention of Night Of The Living Dead; big-event films like Star Wars fed into the fertile cult audience that midnight movies had created. The cross-pollination worked the other way as well: Lynch went on to studio projects like The Elephant Man and Waters is now a bankable and almost respectable name. Without doubt, though, VHS was the final nail in the midnight movie coffin.
The only real problem with this documentary is not the fault of the director. Since the publication of Samuel's book almost 25 years ago anyone with even a passing interest in cult films has been deluged with fanzines, books and articles devoted to the midnight movie genre and its key players. As a result, the film Midnight Movies: From The Margin To The Mainstream fails to say anything that hasn't already been said many times before. It is just as well that it never gets boring hearing it
The only real problem with this documentary is not the fault of the director. Since the publication of Samuel's book almost 25 years ago anyone with even a passing interest in cult films has been deluged with fanzines, books and articles devoted to the midnight movie genre and its key players. As a result, the film Midnight Movies: From The Margin To The Mainstream fails to say anything that hasn't already been said many times before. It is just as well that it never gets boring hearing it
sábado, marzo 13, 2010
JACQUES BREL . LE MORIBOND
Este primero...
despues lo otros.
Se comprende porque el texto tanto le agrada a Nirvana.
jueves, marzo 11, 2010
projekt kultury jjs ( AK-Momo - Greasy Spoon )
Greasy Spoon de Ak Momo, un proyecto musical de Ana Karin Von Malmborg. Hermoso.
Muy interesante el disco de este Duo!
AK-Momo are a musical duo from Stockholm, Sweden. They met through mutual friends and at a bar in central Stockholm Olsson invited Malmborg to his studio for a visit. The group consists of Anna Karin ('AK') von Malmborg (vocals, Optigan and whistling) and Mattias Olsson (Optigan, Mellotron and Orchestron). The band formed in July 2003 and recorded the basis for their debut album Return to NY in six afternoons writing two songs every time.[citation needed] The music is based around the sounds in the Roth Händle studio. After the initial six afternoons Olsson then recorded additional overdubs with the Mellotrons, Optigans and Orchestrons and mixed the album.[1].
They have been compared to Portishead for their use of synth instruments, Kate Bush for the vocals and Goldfrapp.
Kleenex/Lilliput
You can't dispute Liliput's status as pioneers of feminist art-punk. Along with fellow travelers like the Slits and the Raincoats, this (mostly) female Swiss group took advantage of punk's anything-goes attitude and created jittery, spirited pop that was both in step with the times and completely singular. But even if Liliput hadn't paved the way for other guitar-wielding patriarchy-smashers, The Complete Recordings would still prove one thing: They were totally fun. This double-CD retrospective gathers 46 songs recorded under five different lineups from 1978 to 1983, including their initial tracks under the name Kleenex (a certain global conglomerate demanded the name change). The early material is a riot of exuberant energy, taking stylistic cues from peers like Gang of Four and Wire--propulsive bass, skittering pop rhythms, slashing guitars--and adding distinctive overlapping vocal patterns, which are sung, shrieked, and hiccupped in three languages and made-up dadaistic slang. More than 20 years on, it still sounds fresh. It's edifying to hear a track like "Ü," with its elastic aggression, cheeky, monkeylike squeaks, and punky-tough guitars, and realize it was recorded by four young Swiss women in 1978, not last week by Le Tigre. Liliput's later material is more deliberately artsy, adding "avant-tribal" influences and more expansive instrumental passages, but it's equally intriguing. For art-punk historians and adventurous pop fans, The Complete Recordings is as entertaining as it is essential. --Lisa Gidley
Se llamaban 'KLEENEX', punk femenino Suizo 1978
LILIPUT (ex-Kleenex)
Muy frescas, divertidas, originales. Despertaron mi interès hace 32 años y aun suenan buenisimasEscuchar fragmentos de temas " U", "heidi's Head" y "Ain't You" en (por ejemplo) Amazon.
miércoles, marzo 10, 2010
Preparense...
Pasos a seguir para construir una estufa a leña de alto rendimiento
La estufa a leña de alto rendimiento -comúnmente llamada estufa rusa- es un artefacto económico y de fácil construcción. Una de sus grandes ventajas es la capacidad de acumular calor en su estructura para entregarlo lentamente a lo largo de las horas, aún después de apagada. Si se compara este modelo con una estufa común de hierro, la estufa rusa produce el mismo calor con 100 kg de leña que una de hierro con 400 kg.
Se la considera de alto rendimiento porque está construida con ladrillo refractario que tiene una gran capacidad de absorber el calor, acumularlo y luego entregarlo lentamente; la temperatura de combustión es muy alta y el recorrido de los gases dentro de la estufa es muy largo antes de salir por la chimenea. De esta manera, casi todo el calor queda dentro de la casa y, además, la combustión es muy completa.
En esta dirección http://www.inta.gov.ar/info/intainfo/doc/estufa.pdf encontrará los pasos a seguir para construir la estufa, que están acompañados de ilustraciones y planos para una mejor interpretación. Este trabajo fue realizado por el INTA Chubut. Para bajar el documento necesitará tener el programa Adobe Acrobat.
Estufa Rusa
Russian Stoves are perhaps the most efficient wood burning space heaters known to man. The intense heat given off by the fire is obsorbed by the brick walls that make up the stoves dense structure. Because of this, there is a slow cooling down period, which means that the Stove requires fueling only twice a day, and at most maybe three. At the time it is being fired, one can put his face into the chimney of a Russian fireplace and feel only a warm moist air escaping, thus assuring that a minimul amount of pollutants are being sent into the air. pollutants, or rather unburnt particles, are being burnt off by the extreme high temperatures in the burning process as they travel through the Stoves makeup as seen in the above drawing. This is being accomplished in a natural way without the aid of expensive catalytic converters, which require constant replacement
martes, marzo 09, 2010
domingo, marzo 07, 2010
Ciavarro Di Francesco Sapore Di Mare 2 (1983) Ragazzo Triste
Piccola commedia 'light' Itálica años 80
Jean Vigo- Taris, roi de l'eau (1931)
Jean Vigo, genio poeta del cine. Este es un docu que hizo sobre el gran campeon de natacion Frances, Taris. Imperdible, y raro.
sábado, marzo 06, 2010
viernes, marzo 05, 2010
viernes, febrero 26, 2010
miércoles, febrero 24, 2010
martes, febrero 23, 2010
Desde Nono (ver movimiento de mi cabeza...)
Se presentan dos nuevas fechas de ROMAPAGANA
en:
ROSARIO y
Venado Tuerto.
Este fin de semana 26/27 Febrero.
Suscribirse a:
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